
Lesson
7(G): Pausing For Perfection

By Nick Prinsloo
PAUSE
#1, PAUSE #2, AND THE BACKSWING
We've assessed the angle
of the shot, stepped into the extended line of the shot, lowered our bodies over
the table and the head over the cue, sighted the shot, and done a few warm-up
strokes to get the rhythm going and to ensure the cue is running in a straight
line. We're almost ready to bring the cue through for that final delivery: the
stroke itself. We could, at the end of the last practice stroke (when the tip of
the cue is almost against the cue ball), let the cue continue its forward motion
and actually play through the cue ball, thereby finishing the stroke.
Chances are, if you have
done everything correctly up to now, and provided the shot is not one that makes
professionals think twice, you will pocket the ball. Now ask yourself the
following questions: will I make the ball ten times out of ten? Will I make the
ball if getting on the next one requires some kind of fancy positional maneuver?
Will I then make it ten times out of ten? Will I make that ball if it is the
winning ball of an important game? Of an important match? Of the finals of an
important tournament? Against Efren Reyes in the finals of an important
tournament, broadcast live on television with camaramen moving around you and
bright lights in our eyes?
If you are serious about
pool and improving your game, and you answered NO to any of the previous
questions, then simply letting go at the end of the final practice stroke is not
good enough. You need an important additional element or two. Something that
will help you focus enough without breaking your rhythm to never miss that
shot, regardless of the circumstances and playing conditions.
I have found that
element (one of them, at least) to be a slight pause before you draw the cue
back for the final delivery. A pause just long enough for your eyes to fix
themselves on the object ball, where they will stay throughout the completion of
the stroke. You will be amazed at the power of this little technique. Every time
I slip out of form and find I am missing balls I should normally make, it is
because I forget to pause, or get lazy and rush the stroke.
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